Chauvin Sculpture Garden by Artist Kenny Hill

Less than a decade later, more than 100 primarily religious concrete sculptures densely pack the narrow, bayou-side property. The sculptures are a profound mixture of Biblical reference, Cajun colors, and the evident pain and struggle of the artist’s life. Most are guided, supported, or lifted by seemingly weightless angels — black, white, male, female, baby, or soldier. The angels, each unique, some inviting passage, others prohibiting, vary from blue skinned, bare-footed, and sightless to regal angels clad in medieval garb with the black boots of the local shrimp fishermen.

The most prominent piece is a 45-foot-tall lighthouse, composed of 7,000 bricks, with figures clinging to the outside: cowboys, soldiers, angels, God and Hill himself. A walk through this sculpture environment is an emotional experience, evoking a sense of deep spirituality but also personal pain.

Hill placed himself in many of the scenes: he rides a horse; carries Christ’s cross; stands with long hair and a beard, his heart bleeding; and shows his face painted half black and white, suggesting the artist’s struggle between good and evil.

During the ten-plus years he lived on the property and created his art, he was adamant that the work was just for him — he felt no need to share it. Hill repeatedly denied requests for access to photograph or publicize his work but reportedly declared it a “story of salvation” for the local residents.

Neighbors have created a picture of Hill as a man who, by the time he abandoned his art in early January 2000, was deeply troubled and left not only his art and his home, but also abandoned the religion that had come to dominate his life. Evicted by the parish for not keeping the grass and weeds under control, Hill disappeared on foot, but not before knocking the head off of the sculpture of Jesus.